The notion of creativity has to do with the invention of something that was not before (“creating” is, rigorously, drawing from nothing), therefore it cannot be a simple repetition of the usual normal, but must constitute some deviation. Thanks to a wing shot, let’s say so, a certain share of disorder is produced. Not that the order is not necessary for life, however the emergency of the disorder is equally necessary to ensure that it does not remain imprisoned in the asphyxiated circle of the repetition of the always equal, even if satisfied by an ambiguous serenity. The vocation of modern art is creative in a disruptive sense, which in this way connects to a request for freedom, and consequently to an anarchist utopia; anarchy as an expression of equality, of an equal measure of all components. Now, this utopia can take it in charge in its own way of doing, by approximation or by anticipating figure. Thus, for example, the different arts can converge and enhance, actively participating, each in its own way, to encourage the senses, or even producing polysense and allegorical references. The anarchist-creative principle, then, can manifest itself in the overcoming of both the constraints of the